Short story "Else no one ever will"
– ELSE NO ONE EVER WILL –
(Altrimenti Mai)
When my diaries
and photos and grey hair conspire to tell me my life at sea is now over, I'll
remember … and I alone shall know the truth
…
- Capt Harry Grattidge, ‘Captain
of the Queens’ -
A |
ll day long the sky had
been oppressive. A hundred miles to the north of the MS Antares a tropical storm had cut a swathe through the Solomon
Islands. At nightfall a rogue wave reached the forty-thousand-ton liner. The
cruise ship trembled as the mountain of water smashed into her bow.
The
lookout, Able Seaman Jim Hardy, disbelievingly felt himself being carried away
by the breaking wave when it sluiced over the foredeck. He struck a bollard, broke
his arm, and ended up in the scuppers. Seconds later, up on the boat deck, the Chief
Officer’s face was stung by a shower of spray.
Chris
Stuart wiped his eyes and with the back of his hand brushed the drops off his
uniform. He habitually went for a walk after dinner, when he often had the deck
to himself, since most of the passengers
had by then either gone up to the Lookout Bar, directly above the bridge, or
they were in the Regal Lounge, leading off the glass-enclosed promenade deck, one
deck below him.
There was a dance floor
in the Regal and until just a moment ago the sound of the band had drifted up
the main stairwell. The musicians were Italian, including Gabriella Valenti,
the ship’s sultry songstress, who’d been singing Senza Finé (Never-ending) until the wave struck the ship, causing
the band to abruptly fall silent.
The Antares groaned as she climbed up the
wave and staggered down into the trough behind it.
“Easy
now,” Chris whispered while he waited for the twenty year-old liner to steady
herself. He imagined that a lot of the ship’s dinnerware had probably just
shattered in the galley before it could’ve been stowed.
A
woman’s voice unexpectedly drew Chris’s attention. “That was a big one!” she
cried.
He
looked up and noticed two passengers taking shelter behind a lifeboat winch.
“Nothing
to worry about,” he called back. Walking towards them, he added, “A wave like
that looks quite dramatic, but the ship is well able to take it.”
That
wasn’t entirely true, he reproached himself. The ship had a weakness. One of
the first liners with a steeply raking bow just like the bow of the Antares – a Royal Viking class liner –
had limped back to port after a storm once, in the late 1980s, with her bow
pointing up at the sky.
Just then the Antares heeled and Chris noticed they
were altering course. He assumed the duty officer had decided to lessen the
effect of the rising storm, meeting the rollers at an oblique angle. Captain
Hemmings knew of the ship’s weakness and he’d issued standing orders about it.
From
the corner of his eye Chris saw another big roller approaching, and when he
turned to look, he briefly caught a glimpse of a red object floating past.
Almost immediately it was gone and Chris wasn’t even sure he’s seen something
real.
Could have been an optical
illusion, he told
himself, or perhaps a red lifebuoy had
been washed overboard?
It unexpectedly
reminded him of a time, long ago, when he and Claudia had secretly gone for a
swim in the moonlight. Her bikini had been the colour of blood, he remembered. Had she taken it off, or had he only dreamt
that? Uneasily he wondered what had become of the older girl he’d once had
a crush on. And where would she be now?
Claudia had been a bit
wild, and she’d reputedly had a small butterfly tattooed on her hip. He’d once
asked her if the rumour was true, and she’d laughingly shown it to him. He’d
been too young to date her and an older boy had invited her to her Matric
dance. From a distance Chris had watched him picking her up. Claudia’s
off-the-shoulder dress had been a shimmering red colour.
Chris
shook his head. This was crazy. Yet
he’d never entirely forgotten his sense of loss when Claudia and her family
moved away to the city. She’d briefly come to his house to kiss him goodbye. He
must’ve been fifteen or sixteen. Even now he still hated farewells.
C’mon, get a grip, he thought, and with a shrug he
dismissed the girl he’d once loved from his mind.
“Are
you alright?” the woman near the winch called out.
Chris
had almost forgotten the two passengers. “Yes, yes, of course,” he called back,
and he approached them. “Just observing the sea, in case there’s another big
wave.”
“My
husband says the sea is primeval,” the woman continued, raising her voice
against the strengthening wind. There’s
something about that voice, Chris thought. It was high and lively, like
Claudia’s voice used to be. When he’d reached them, he looked at the woman more
closely, and guessed her to be younger than her companion.
“Primeval?” he repeated. “Do you think
so?”
“Oh,
not literally,” her husband now answered. Smiling, he added, “Jung spoke of the
sea as a symbol of the eternal … a metaphor describing the unconscious mind;
something without a beginning or end, the way we promise to love each other
forever.”
“I see,”
Chris nodded. “Did Jung forget the vow concluding with the words: until death do us part?”
“No,
hardly,” the husband remarked. “He was speaking about the collective
unconscious, but your observation is very perceptive. Shall we get out of this
gale now? It’s getting worse, don’t you think?”
“Yes,
sure,” Chris said. “Let’s go over there.”
He led them to the
nearby entrance giving access to the main stairwell. The Regal Lounge was now diagonally
below them.
The band
had started to play once again and Gabriella was singing: Altrimenti mai …altrimenti nessun altro potrà…
“Ah,”
said the husband, “that’s one of her favourite songs,”
“So
it seems,” Chris observed. “I guess it’s a love song.”
“Yes,
so it is. I know a few Italian words. It’s a plea that her lover should love her
forever … else no one ever will. Yet
that phrase is ambiguous, don’t you think? She doesn’t want to lose him, but at
the same time it’s a lament about losing herself.”
Chris gave him a questioning look. “As if she
means to kill herself?”
“Exactly.
Love can be irrational. She would rather die than lose his love.”
“I
see. Are you a psychologist?”
“Yes
and no,” the husband smiled and he held out his hand, “I’m more of a detective.
Berger’s my name … James Berger. And judging by the stripes on your epaulettes
you must be the chief officer?”
“That’s
right. Stuart’s the name. My friends call me Chris.”
“Alright,
Chris, and this is Allegra, my beautiful wife.”
“It’s
Doctor James Berger,” Allegra proudly
corrected her husband. James is a medical doctor and a criminologist. He draws
up forensic profiles.”
‘Really?”
Chris nodded, taking note that James was correct about his wife being
good-looking.
“Yes,”
Allegra went on, “He can tell you everything about a murderer’s lifestyle and
habits.”
“Aha,
forensic profiles?” Chris said. “Then I’m glad to know you. I sometimes get a gut feel about people. I
might want to swap notes with you, James … later on, I mean.”
“Oh,
sure,” Berger smiled, “but you aren’t quite over your own loss, are you, Chris?
Was it a long time ago?”
Chris
gave him a startled look. “How on earth did you know?”
“Well
… it’s clear from the way you associate love and death. Losing a loved one isn’t
easy, of course. It often feels like a bereavement, a death. What was her name?
The first one?”
“Her
name?” Chris sighed. “I guess it was Claudia.”
“Nobody
since then?”
“Yes,
a few … but nothing too serious. I thought I’d forgotten. I suppose the sea
reminded me of her a moment ago. So I guess Jung had a point.”
Suddenly the music fell
quiet once again and a woman in a fiery red ball gown came rushing upstairs, followed
by a member of the band who loudly pleaded, “Attesa! Attesa! Gabriella! Per
favore. Mi scusi. Please wait!”
“No basta, Borsellino! Stronzo! It’s over! Get lost!”
Neither
of them seemed to take any notice of Chris and the Bergers, who’d come to a
halt near the staircase. Gabriella and her pursuer noisily continued upstairs.
With
a frown James remarked, “Well, for Borsellino things certainly look a bit shaky
right now. I wonder if they’ll kiss and make-up?”
“I’d
better see to it that they do,” Chris said, moving towards the staircase.
“Did
you take note of her dress?” Allegra asked under her breath. “The things some
of us do …?”
Chris
paused. “The things some of you do? I don’t follow.”
“Aha,”
Berger smiled, “my wife understands something about women that even Freud
professed not to know. They want men to look at them … as long as they don’t
touch.”
“Oh,
James, that’s our secret!”
Before
her husband could answer, the purser, Mr Nicholson – Old Nick behind his back – briskly came up the stairs as well. He
was short and stout, in contrast to the tall, grey-haired captain who came up
behind him.
Captain
Hemmings, the master of the Antares, paused
on the landing, briefly nodded at the Bergers, and said, “Stuart, a word with
you, please … over there.”
“Yes,
Captain,” Chris answered, and he followed Hemmings until they were both out of
earshot.
“Let
Nicholson take care of that argument,” said the captain. “You get hold of the
bosun. Take him along with you. Go and see if the lookout is safe. Get him away
from the foredeck … if he’s still there. Take him inside.”
“Yes,
right away, sir,” Chris nodded, but as he turned to go, the captain stopped
him. “Wait. Find the second lookout as well. Send him up to the bridge. After
that you and the bosun need to take a look at the bow. Be careful. Check for
possible damage and report to me. There may be foul weather ahead of us.”
“Aye,
aye, sir,” Chris said, and he went off to the crew’s quarters.
He found the bosun, Tom
Jackson, in his cabin up front, and the two of them stepped out onto the
exposed foredeck. They didn’t find Hardy up there, but discovered that his
watch partner, the alternate lookout, had taken him down to the crew’s mess-room
after his fall, where Hardy now sat clutching his arm. His partner nervously
stood watching him, smoking a cigarette.
“You,
sailor,” Chris addressed him. “What’s your name again?”
“Atkins,
sir,” said the alternate lookout, and he added, “Hardy, ‘ere, has broken ‘is
arm. ‘Ah helped ‘im to come down ‘ere.”
“So
I see,” Chris nodded. “Good work, Atkins. Now, first of all, take Hardy along
to the sickbay and find him the doctor. No, wait, rather tell the duty sister
to get hold of the doctor. He’s probably up in his cabin, or perhaps in the
Regal. Then go up to the bridge.”
Just
then another big wave struck the ship.
“Use
the forward stairwell to get there,” Chris said when the noise had abated.
“It’s too dangerous outside.”
“You’re
telling me,” muttered the lookout.
“Right
… and then, when you get there, just tell the duty officer I sent you. Come on
now, you two, let’s get a move on!”
When they’d gone, Chris
and Jackson went up to the fo’c’sle together. They dashed forward, opened the
bosun’s locker, switched on the light and climbed down among the spare hawsers,
barrels of paint, and brushes that were stored there. Taking along two
flashlights they opened a hatch and entered the bow cavity forward of the
collision bulkhead.
Some
of the bow plates were buckled down there, pushed in between the frames, but
Chris couldn’t detect any leaks. It was very unlikely, moreover, that the hull
would’ve been breached down below the waterline. If the ship had sprung a leak
down there, the collision bulkhead would in any event prevent the inflow from
travelling aft, as it was designed to do.
After leaving the fo’c’sle,
Chris went up to his cabin to change. On the way there he ran into Bill Smith,
the senior master-at-arms, who said he was on his way to the bridge.
“Why
the big frown, Bill?” Chris asked him, noticing that the Antares’s chief of police seemed to be troubled.
“I
found this,” Smith said, and he held out his hand. A thin gold necklace lay in
his palm. “It was over there, on the floor in that alley, between a few
cabins.”
“So?”
Chris observed. “Somebody must’ve lost it. Odd place, though. Those inside
cabins are vacant during a world cruise.”
“Exactly,”
Smith noted, “and I wouldn’t have gone there, except there’s a pin for my clock
there.”
He
held up the instrument masters-at-arms use to log their rounds through the
ship. “It wasn’t actually the necklace that drew my attention. Come and look.”
Chris
followed him and Smith said, “There’s a smear of blood on the wall. Not much,
but there are drops on the carpet as well.”
“I
see. Do you think there’s been a scuffle up here?”
“Looks
like it, Chief. Unfortunately there isn’t a trail one could follow, since the
carpet itself has almost the same colour.”
“And
those cabins?”
Smith
shook his head. “I used my master key to look inside. There’s nothing. They
aren’t occupied, as you said. Hope the scuffle wasn’t too serious. That blood
is a worry.”
“I
agree. Gabriella came up here less than an hour ago, with Borsellino right
behind her, the bloody fool. I wonder where they went.”
“Can’t
tell just by looking at this,” Smith said. “I’ll check if she’s down in her
cabin.”
“Right,
you do that. Let’s hope she’s okay. I thought Nicholson was going to sort it
all out. He was right behind them.”
“Nicholson?”
asked the master-at-arms. “I don’t know about that guy. He seems to have a
crush on the girl.”
“A
crush? Old Nick? Don’t make me laugh.”
“Yeah,
Chief, he’s in love, like half the men on this ship. I’ll check it out,
though.”
“Please
do that, Bill. I’d do it myself, but I’m off to my cabin right now. I have to
change. Jackson and I were in the forepeak. I’m wet and dirty, else I’d join
you.”
“That’s
okay,” Smith said, putting the necklace away in his pocket. “I’ll find Borsellino
as well. I don’t really like him. But the girl is far worse.”
“She’s
worse? How do you mean?”
The
master-at-arms shrugged. “I don’t like loose women.”
In his stateroom, up in
the officers’ quarters, Chris took off his soiled uniform and underwear. What a night, he thought as he glanced
at himself in the bathroom mirror. Smiling boyishly, he flexed his biceps. He
had reason to smile. Captain Hemmings was due to take command of the new Transocean liner after the Antares’s present world cruise.
Chris
would most likely be given command of the ageing Antares. It would be a dream come true. He knew the liner like the
back of his hand and he loved her despite her unfortunate quirks. She had a
tendency to slam her bow in a seaway if she met them head-on, but she seldom
rolled, so her stabilisers hardly ever had to be used.
Humming
Senza Finé, he opened his shower
curtain and sucked in his breath. Gabriella Valenti lay in his shower, half
naked, partly propped up against one of the walls. She had abrasions around her
neck and blood was seeping from a cut in her scalp, trickling down between her
breasts. Looking more closely, he saw she had a wound below her left breast as
well.
In a
daze he bent down to check her pulse, staring at her breasts to see whether
they rose and fell as she breathed. There was no pulse, nor did her chest show
any sign that she was breathing. Live!
Live! he fervently whispered, shaking Gabriella’s shoulders, after which he
examined the wound in her chest more closely, coming to the conclusion she’d
been killed by a stiletto plunged into her heart.
Chris straightaway realised
that the blood Smith had discovered belonged to Gabriella. Borsellino must have
throttled her to stop her from screaming for help. Her necklace had broken
during the struggle.
They’d
somehow evaded the purser – who’d probably become winded chasing up the stairs
– and Borsellino had then obviously carried her unconscious body up to the
officers’ flat, randomly trying the doors up there, after which he’d left her
in Chris’s cabin.
He
had of course taken a desperate chance, since the officers’ block was out of
bounds to passengers and most of the crew, which was the reason why Chris seldom
bothered about locking his door.
He
couldn’t imagine, however, why Gabriella had been stripped to her underwear,
and he wondered what had happened to her red dress. The blood on her chest
revived an old memory. Claudia had looked
like that once, he recalled, when she’d eaten a ripe pomegranate next to
the pool in her garden, with scarlet juice running down her cleavage. Won’t I ever forget? Chris asked himself.
Forcing himself to
think clearly, Chris considered whether he ought to call Hemmings. He was less
inclined to call upon Smith, the master-at-arms, who might not so readily
believe he’d had nothing to do with it. Question was: would Hemmings believe
him?
Chris
nevertheless realised he had to do something quickly. Then he wondered if Gabriella’s
red gown had been hidden somewhere in his cabin. Its presence would obviously
cast further doubt upon him. A thorough search showed Chris the dress wasn’t
there, but there were several crimson marks on the floor and around his porthole.
He
guessed Gabriella’s dress had been flung overboard, provided, however, that the
killer had used enough force to clear the alley running outside the officers’
quarters. He opened his porthole and saw that her clothes did not, in fact, lie
outside in the alley.
I’d better get rid of Gabriella’s
body as well, he thought,
so he picked her up, carried her to the porthole and after looking around, manoeuvred
her out through the opening. It was a dark, moonless night, so the chance that
someone should see him seemed fairly remote.
He climbed
out after Gabriella and, feeling both relief and regret, was about to throw her
body into the ocean when a voice in head seemed to say, Would you do this to Claudia?
Chris’s intimate
knowledge of the ship stood him in good stead, once he’d decided he couldn’t go
through with it. There was an inspection hatch in an air-conditioning duct near
the end of the outside alley. It was the kind of thing one could see, but
somehow didn’t really notice. The best hiding places often tended to be out in
the open like that.
Stealthily
he carried the body there, opened the hatch and lifted Gabriella inside it. By
then increasingly heavy seas were causing the Antares to pitch and roll. Heavy spray flew over the ship and would
soon was away all traces of blood in the alley.
Climbing
back through his porthole, Chris spent the better part of an hour cleaning up
every trace of blood in his cabin. After that he locked his door and went out
to look for the Bergers.
It was past midnight by
then and the wooden panelling along the deserted passages and stairwells
intermittently creaked. The Bergers had evidently just gone to bed, but upon
opening their door to his urgent knocking, and seeing the serious look on
Chris’s face, they invited him in.
James
listened intently as he told the Bergers his story. Once he interrupted Chris,
asking him if had any idea why Borsellino hadn’t simply left Gabriella where
he’d grappled with her in the passage.
“I
haven’t the faintest idea,” Chris answered.
“That’s
okay,” James told him. “Go on.”
Half
an hour later Chris had told him all that he knew, and James seemed to sink
into a trancelike silence.
After
a while he asked, “Does anyone hold a grudge against you? Something that you’re
aware of, I mean?”
“That’s
a tough one,” Chris frowned, “but I can’t think Borsellino even knows me?”
“Right.
Let’s leave him out of it for a moment. Who are the people, besides Borsellino,
who could possibly have done it?”
“You
don’t think it was him?”
“We’ll
find out,” said James. “Where can we find him?”
He
got up and put on his clothes. “Fine busman’s holiday this is proving to be,”
he grinned. “Now lead on, Chief Officer, first show me the crime scene. Then
take me to the prime suspect.”
James
returned to his cabin at two o’clock. “Get some sleep now,” he told Chris.
“Do
you have any ideas yet?” Chris asked.
“I
do, but I can’t be sure yet. We’ll discuss it tomorrow.”
The following morning
Chris had an ugly surprise. The captain’s personal steward – his tiger, as
captains’ stewards are known – rapped on his door to tell him Hemmings wanted
to see him.
“Sit
down, Stuart,” Hemmings said when Chris entered his cabin. “Gabriella Valenti
is missing. I believe she was in your cabin last night, shortly after
Borsellino chased her upstairs. What do you have to say?”
“That’s
nonsense,” Chris countered. “Who said so?”
“Here,
have a look.” Hemmings handed him an anonymous letter. Written in block letters
it said:
Last night I see Gabriella and chief officer in passage on bridge deck. Big
tear in Gabriella dress. Chief carry her
to his cabin. She not come out. He throw away dress. Falls on boat deck. I put
dress in numero 1 boat.
“Her
dress is in number 1 boat?” Chris asked. “Who wrote this?”
“We
don’t know,” said Hemmings, “but whoever did it was right. Gabriella’s dress
actually was in Boat No. 1. Smith
retrieved it. It looks as if it was ripped off her chest, and there was blood on it.”
“Well
then,” Chris interrupted, “Borsellino must’ve done that. We all witnessed the
way he went after her. He obviously wrote this letter in an attempt to divert
our attention. His poor English gives him away. The Italian word ‘numero’
pretty much proves it was him. Besides … where’s the body? You haven’t got a
body.”
“A
body, you say?” Hemmings took back the letter. “This doesn’t say ‘body.’ I
didn’t say ‘body’ either, so what do you mean?”
Chris
wanted to kick himself for his blunder and said, “It’s a logical assumption.
Perhaps Borsellino threw her overboard. It wasn’t the kind of night for
passengers to go up on deck.”
“Yes,
you’ve got a point there, and at first we thought so as well, but the man has
an alibi.”
“What
kind of an alibi?
“Quite
simply that he wasn’t alone,” Hemmings said. “Gabriella and Borsellino publicly
broke up with one another at approximately 9 o’clock. We all saw that, and the
leader of the band says he briefly went down to his cabin before the band
resumed playing. Turns out he and Borsellino are roommates. He found Borsellino
in their cabin without so much as a drop of blood on his clothes, and he was
crying his heart out.”
There was a knock on
the door and the master-at-arms came into the room.
“There’s
no blood in the chief’s cabin, sir,” he began, “but I found this. It was hidden
below some of his clothes in a drawer.”
He
placed a sharp-pointed stiletto on the desk in front of the captain. “I dusted
it for prints, but there’s nothing – wiped clean, by the looks of it.”
There
was another knock on the door and James Berger came in, with the captain’s
tiger behind him, looking worried.
“He
insisted, Captain …”
“That’s
quite true, sir,” said Berger, stepping forward, “I’m afraid I overruled your
good man. I’m Dr James Berger.”
He
briefly nodded at Chris, showed Hemmings a police badge, and added, “You’re
looking for a missing person, not so? And possibly a murderer as well?”
The
captain cleared his throat. “Uhm … we possibly are, yes.”
“Well
then, Captain, as soon as we dock in Australia, this will in any event fall
under my jurisdiction, so I’d suggest we take a shortcut. I already know where
the body was hidden.”
Hemmings
came to his feet. “You know where the body …?”
Bill
Smith swiftly stepped forward as well. “At the moment the jurisdiction is still
mine. I’m following leads …”
“Smith,
sit down!” Hemmings said. “And you too, Dr Berger.”
He
sat down himself and continued, “Now, Dr Berger, by all means tell us what you
know.”
“I’ll
do that,” said Berger. “Just a moment.”
Leaning
forward, he took the letter on Hemming’s desk and read it. “Hmm, interesting. Do
you have any idea who wrote this?”
“We
assume Borsellino did so,” said Smith.
“The
Italian musician with the broken English? Not so. Mr Smith, would you help us? Please
write something I’ll dictate to you. Here, use my notebook and pen.”
Smith
reluctantly took the proffered notebook.
“Let
me see,” Berger began. “Please write, ‘I saw Gabriella and the chief officer in
the passage last night.’”
“That’s
not how he wrote it,” Smith objected.
“I
know that. He used pidgin English. Now what about this? ‘He throw dress away.’”
Smith
hesitated. “Uh, that’s what he wrote, isn’t it?”
“Yes,
more or less. Of course it’s a split verbal phrase. Italians don’t know that.
English-speaking people would usually put it as, ‘threw away the dress.’ Now can I have back my book please?”
Both
Hemmings and Smith seemed to be nonplussed, but Berger continued, “Captain, a
private word with you, please.”
Chris got up and he and
the master-at-arms left Hemmings’s dayroom. Half-an-hour later Berger came to
see Chris.
“Right,”
he said, “your captain is a worried man, but he’s agreed to host a gala concert
in the Regal the day after tomorrow.”
“A
gala concert? You’re kidding me! More to the point; do you have any idea yet
who did it?”
“All
in good time, Chris. All in good time. There are quite a few suspects. First of
all there’s Borsellino. But then again the bosun could conceivably have done
it, although I doubt that. Then there’s the alternate lookout. What’s his name
again?”
“It’s
Atkins,” said Chris, “but surely …?”
“Oh,
he could very easily have done it. Let’s move on though. There’s Smith himself.
He seems to be a misogynist – he hates women – and the purser is a distinct
possibility. His manner’s too oily.”
“Old
Nick? I doubt that,” Chris smirked. “Rumour has it he gets it off with rich old
lady passengers – the young ones would probably all laugh at him. What about
the band members? Wasn’t it one of them?”
“Let’s
hope not,” sighed Berger. “My game-plan won’t work if one of them actually did
it. Tell me, do you have enemies aboard?”
“Enemies?
You’re implying I might’ve been framed? You’ve already asked me about a grudge.”
“So
I did. It’s a possibility, I think. There’s always a motive. What was
Gabriella’s favourite song again? Altrimenti
mai, not so? Else no one ever will.
Prophetic words, perhaps. Shame. Love and death are sometimes just two sides of
the same coin. How well do you remember the classics?”
“The
classics? Not well at all, James. I’m a seaman, remember?”
“So
was Phaon, the boatman for whom Sappho threw herself into the sea. Her love for
him was unrequited
“Wasn’t
Sappho a lesbian?”
“Yes,
people say so, mainly because she headed a cult to Aphrodite. Meanwhile, this
is what we’re going to do about the body you
nearly threw into the ocean.”
“Damn!
I really don’t know what came over me.”
James
nodded. “Yes, it does happen. By the way, I’ve had a word with the ship’s
doctor. Taken him into my confidence. He’s agreed to assist me with a formal
autopsy. Afterwards we’ll quietly bury Gabriella at sea.”
He got up. “And now I
have work to do. We arrive in Sydney five days from now. That ought to be long
enough.”
“Before
you go,” Chris said, “can I ask you a question? It’s about Jung. You spoke of
him yesterday. Wasn’t he psychic … you know, seeing things that aren’t there?”
“Yes,
he allegedly was, Chris, but more often than not his patients were the ones who
saw things, or family members.”
“Dammit,
James, I also see things. It feels like a curse.”
“I’m
sure it does. Allegra is clairvoyant as well, and it scares her. But you’re
making a point, are you?”
“Yes,
my point is that I saw Gabriella’s dress floating past the ship while she was
still singing in the Regal. At least I think so.”
Berger
narrowed his eyes. “Go on.”
“That’s
it. Can’t you explain it?”
“Perhaps.
First of all the phenomenon we call clairvoyance seems to be based upon a
dislocation of time. Remember that time isn’t immutable, or linear. It’s relative.
Secondly, Jung explained that people see objects, like UFOs, not because they
exist, but because they embody a myth, an archetype. Urban myths are
unconsciously projected like that, if you see what I mean.”
Chris
shook his head. “No, I’m afraid you’ve got me there.”
“Well,”
said Berger, “I can’t really explain it in just a few words. What most likely
happened is that you unconsciously sensed that Gabriella was in terrible danger
and you had a vision about her, a kind of dream, if you see what I mean.”
“Yes,
vaguely.”
“Right,”
Berger said, “now I really must go.”
The stormy weather
cleared up after a day and shipboard life returned almost to normal. Notices
went up on the notice boards announcing a gala concert in the Regal Lounge to
say farewell to the passengers disembarking in Sydney. In addition the
announcements said that the band would play Gabriella’s favourite songs in her honour
that night.
There
was a large turnout and half-an-hour into the evening Berger approached the
captain to ask his permission to speak a few words in memory of Gabriella. Hemmings
agreed and Berger went to the podium. Shyly he tapped the microphone as if to
test it, and then haltingly began his speech:
“Ladies
and gentlemen, my name is James Berger. I beg your indulgence tonight to say
just a few words about the accident that has cast such a shadow upon this ship and
our cruise. It was announced earlier on that tonight the band would play songs
in memory of the lady who disappeared from our midst during a previous concert.
“It
would seem that almost everyone who was present at that time is also present
tonight. Except for one person, of course, unless we accept that our spirit
lives on after our death and will someday return.”
The
audience stirred but Berger ploughed on: “It is therefore possible that Gabriella
Valenti will also return, although her attacker may not have thought so …”
Tumult
broke out and Berger waited until silence returned. Then he said, “Gabriella’s
attacker must have thought he had killed her. He throttled her and tore off her
dress. He may have thought he’d thrown the dress into the sea, but it fell onto
a lower deck, where we found it.”
The
audience loudly came to its feet and Berger had to raise his voice: “Please sit
down, ladies and gentlemen. Now then, when Gabriella became unconscious, her
attacker carried her to a cabin. Not his own one. To complete his evil intent,
he then stuck a knife into her heart, or rather, he thought so.”
James
waited a minute, pretending to look up something in his notebook, and then
said, “As you all know, the apex of the human heart lies on the left side of
the chest … except in a rare congenital condition known as dextrocardia. Gabriella Valenti’s heart lies on the right side of
her chest. Let me demonstrate …”
He
turned to the band. “Please, gentlemen. Per
favore. Grazie.”
The lights dimmed as
the bandleader picked up his violin. Softly he began to play Senza Finé. The rest of the band fell in
with their leader, and from behind the drapes at the back of the podium, Gabriella,
dressed in a dark crimson dress, stepped onto the stage.
The
audience gasped. Gabriella wore her left arm in a sling and she had a black bandage
around her head. A broad plaster covered her chest. Her eyes seemed to burn with
a fiery hatred as she came forward.
“Per come si chiama questo, Gabriella?”
said the bandleader. “Who did this? Was it Borsellino?”
“No!”
Raising her right arm she pointed to a figure near the entrance and cried, “È lui che … it is he! Never ever will you
sleep the sleep of the living again, you bastardo!
Except in hell, where you wanted me to go!”
A
horrible cry broke out at the back. “No, Gabriella, I loved you, but you
laughed at me! I would’ve given you everything, but you just laughed and
laughed!”
Nicholson,
the purser, turned around and broke free from the staff who tried to restrain
him. Retreating, he shouted, “It was always the Chief instead. Always the
bloody Chief … he probably wasn’t even aware of it … or else it was that stupid
bloody musician!”
He
ran upstairs, with Chris sprinting after him. On the boat deck he nearly caught
up, but Nicholson jumped.
“Damn you!” Chris swore. He grabbed the
nearest lifebuoy and threw it overboard.
Berger
arrived a few minutes later, followed by Hemmings.
“We
should stop the ship and put out a boat,” Chris said.
“Good
idea,” James agreed. “What he said was tantamount to a confession.”
“Hm,
yes,” said Hemmings. “Go up to the bridge, Mr Stuart. No, wait, I’ll go! Not much hope, though. I
believe he can’t swim.”
“Did
you know it was him?” Chris asked when Hemmings had gone. “And who the hell was
that girl in the Regal?”
“Yes,
I guessed it was him. He’s just a little too unctuous, but clever as well. It
would’ve been awfully hard to prove it was him. As for the girl – didn’t you
recognise Allegra? She a pretty good actress, wouldn’t you say?”
Chris
nodded. “Yes, she’s very good. Terrific, in fact.”
James
Berger put a hand on his shoulder. “We’ve just seen how that Nicholson bastard
was pathologically jealous of you … and
he was twisted enough to kill the girl he supposedly loved. He was a real stronzo, as Gabriella would’ve put it …
but he made one very good point.”
“A
good point?”
“Yes,
girls like you – why do you keep on
aching for Claudia? She’s not coming back. C’mon, get on with your life now. Find
yourself someone new … before your whole life is over.”
Chris
smiled. “I suppose you’re quoting Jung now?”
“No,
he isn’t,” a soft voice answered from behind a lifeboat winch. The next moment Allegra
rushed forward, still in her red off-the-shoulder dress and bandage, but
without her sling now.
She put
her arms around both men. “This time my gorgeous husband is quoting himself,
Chris, and I completely agree.”
The
moon broke through a cloud and cast a shiny path on the sea.
“Look
at that,” Claudia said. “That’s Jung; that’s synchronicity. A little romance is
what we all need.”
------ooo-----
© John van den Berg
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